Abstract painting, murals, and limited editions from Buenos Aires

Kimwilsonartist brings the studio's work together in one place: large-format canvases built up in layers, murals designed around the architecture of each space, and mixed-media works where torn paper and pigment reveal the process. There are also numbered reproductions in short runs for those who want to start collecting without the original format. If you are looking for a piece for a specific space or want to understand how a mural is conceived before it is painted, this is the starting point.

View bodies of work Write to the studio

How a piece or a mural is developed before starting

Every project begins with a conversation, not with a fixed quote. That conversation produces the dimensions, the wall orientation, and the actual use of the space, three details that define almost everything that follows.

For a large-format abstract painting, it helps to have on hand the dimensions of the wall where it will hang, the height from which it is usually viewed, and which side the light comes from. A work designed for a hallway that is walked past from the side is not the same as one seen head-on from a sofa. That information guides the format, the proportion between dense areas and breathing space, and the type of stretcher.

With murals, the starting point is different: the actual measurements of the wall are taken, openings are recorded, and the movement of the people who inhabit the space is considered. The work is discovered in parts, so the design has to work both up close and from a distance. If there are fixed furniture pieces, exposed utilities, or a baseboard that cannot be touched, that is discussed before defining the composition.

What should be settled before writing

An idea of the space, even an approximate one: type of room, wall measurements, and whether the piece is for your own place or as a gift. With that, the type of work can already be guided.

Original work, limited edition, or mural

They are different paths. An original work is unique and is conceived for a specific wall. A limited-edition reproduction is printed in short, numbered runs. A mural is designed for the place and is not moved.

Mixed technique and reliefs

When the piece incorporates torn paper, fillers, and pigment, the surface is no longer flat. It is worth knowing this in advance because it changes how the work is hung and lit.

Brand collaborations

If the inquiry comes from a decor or lifestyle brand, the first step is to understand what medium the work will be translated to: textile, paper, surface. The palette adapts without losing the studio's language.

The form on the contact page is the channel for raising any inquiry about works, murals, editions, or workshops. The more specific the message, the more useful the response will be: measurements, photos of the space if available, and what is sought with the piece.

The studio is based in Buenos Aires, at Av. Corrientes 1234, Floor 8, Office 802. Inquiries are received by email at hello@kimwilsonartist.com or by phone at +54 11 4900-1624.

Tell us about your inquiry

Write to us with whatever you have in mind

You don't need to have everything figured out to get in touch. Let us know if you're looking for an original work, a limited-edition reproduction, a mural for a room or a facade, a creative workshop, or a collaboration with your brand. If it's a mural, it helps to mention the approximate dimensions of the wall and how the light falls on it; if it's a painting, the size of the wall where it will hang. With that information we can guide you better from the very first message.

The inquiry is sent from the form on the contact page. There you'll also find the studio's address in Buenos Aires, the phone number, and the direct email.

Original work and series availability
Numbered reproductions and paper selection
Mural projects for interiors or facades
Creative workshops and exhibition schedule
Collaborations with decor brands

Go to the contact form

How we approach each commission

Before painting, printing, or moving a single piece, we organize the project in writing. We prefer to explain the steps, the materials, and the real limits of each job rather than promise a result. That way, anyone asking about an original work, a mural, or a limited edition knows what to expect.

Initial conversation

We listen to what you're looking for: a specific wall, a measurement, a room, a palette that already exists in your home. From that conversation come the first technical questions, not a closed proposal.

Space review

For murals and large-format works, we ask for real measurements, viewing heights, and how light enters through the openings. Those details change the design more than it seems.

Proposal and adjustments

We send a plan for composition, materials, and support. It can be corrected, made smaller, or expanded. Nothing moves to production until the decisions are clear on both sides.

Process record

We document the stages: layers, color tests, paper samples in the case of editions. We keep that material so you can see how the final result was reached.

Delivery and coordination

We agree on the format, packaging, and delivery or installation method according to the type of piece. The details are confirmed in writing before the work is finalized.